Category: Art Direction

A recurring illustrated series highlighting icons from design history.

Concept, art direction, research, and writing for Design*Sponge.

Illustrated by Libby VanderPloeg.

Full category page here.

Design: Wonder Bread

Date: 1921

Country of Origin: United States

Manufacturer: Taggart Baking Company

Background: You know the phrase “the best thing since sliced bread?” Well, as it so happens, the exact date of this world-changing invention is in relatively recent history. Introduced by Wonder Bread in 1929, the concept of pre-sliced bread encapsulated many of the ideals of the time. The late 20s and early 30s saw the introduction of Modernism to America, largely through the over-the-top ornamentalism of the Art Deco and Moderne movements—it wasn’t so much about functionality, but the novel and the superficially futuristic. Scientific and industrial advances had captured the nation’s imagination, something that created a thirst for products that embodied these ideas—even if that product was bread, pre-sliced. Since then, Wonder Bread has become part of the the American canon, the embodiment of the American impulse for wild innovation and an icon of our Atomic Age. In 1939, Wonder Bread took part in New York City’s World’s Fair, an event that showcased similarly futuristic productions, from advances in agricultural technology to the latest and greatest in automobiles. Although it may not seem this way today—indeed, we have long-since abandoned the fluffy white goodness of Wonder Bread for healthier options—Wonder Bread (and its mythology) fit in perfectly.

Design:  Carlton Cabinet

Designer: Ettore Sottsass

Date: 1981

Movement:  Postmodernism

Country of Origin: Italy

Manufacturer: Memphis

Materials & Construction: Wood, plastic laminate

Background: While the garish colors, irregular forms, and shamelessly commonplace materials featured in this cabinet might come off as distasteful and ostentatious to some, this was in many ways the whole point. Ettore Sottsass, the object’s designer, was the founder and primary maker of the Italy-based Memphis Design Group, a collective that adopted many of the Postmodernist impulses of the early 1980s. Eschewing the perceived banality and false objectivity of Modernism, the Memphis group sought to dismantle the notion that design should be (or even could be) purely functional. In stark opposition to the “less is more” and “form follows function” dictums of Modernism, Sottsass and his cohorts subscribed much more to architect Robert Venturi’s notion that “less is a bore,” giving priority to emotion, humor, and symbolism rather than any utopian ideal. Although many designers and critics found Memphis design ugly and overly novel, others saw its blatant disregard for rules as liberating—a welcome breath of fresh air in a design world that had for too long been dominated by rigidity and precision.

DIY picture frames, made from tape. Concepted, styled, photographed, and written for Design*Sponge.

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When I moved into my dorm room for my freshman year of college, the first thing I did was unpack a gigantic envelope filled with magazine clippings. I had spent the entire summer going through various fashion magazines, cutting out pages with an X-Acto knife and saving them so that in the near future, I could wallpaper my entire dorm with them. I made a point of arriving early on move-in day so that I could stake out my space in the room and begin what amounted to an extreme makeover. It goes without saying that, upon finding me knee-deep in fashion photos with hands blue from sticky tac, my new roommate was none too pleased. I could tell that he, a quiet skater dude who brought just a single poster with him, was horrified by my shameless takeover of the wall space. At the time, I was quite convinced that I was something of a fashionista and could not be swayed from the belief that my decorating antics were at the absolute pinnacle of taste. In retrospect, I could have toned it down a bit.

When I moved into my first apartment a year and a half later, I had mostly abandoned this style of decorating. Instead, I was determined to make my new living space as adult as possible. After all, this was a real apartment. Equipped with cheap frames from the dollar store, I arranged several of my own photographs on my bedroom walls. Even if they weren’t expensive custom frames, they made me feel infinitely more grown up.

Indeed, there is something inherently sophisticated about hanging picture frames on one’s walls. Perhaps it’s because they lend a space some semblance of intent, rather than the feeling that random bits have been thrown together. Unfortunately, many rentals and dorms restrict frame use because of rules forbidding nails or tacks. Additionally, frames can be cumbersome to move and ones that aren’t from the dollar store can be quite costly.

As a cheap, easy and surprisingly chic alternative, consider framing magazine clippings, photographs and postcards with different colored tapes. The supplies travel lightly, can be changed frequently and can be purchased for very little.